Chiaureli began his career in the 1. Josef Stalin, whose idolatrous tone mirrored the growing personality cult surrounding the Communist leader. Originally a sculptor who had also worked as a locksmith, set decorator, illustrator, and stage actor, Chiaureli helped found the Theater of Revolutionary Satire in Georgia in 1. Shortly thereafter, Chiaureli entered the cinema as an actor in Ivan Perestiani's Arsen Georgiashvili. Chiaureli then went to Germany to perfect his sculpting skill and remained there until 1. Georgia to establish the Georgian Theater of Music Comedy. He would serve as their artistic chief and director until 1. Chiaureli directed his first film in 1. V Posledniy Chas/The Last Hour; a short piece about the Civil War, only a few Soviet film historians have seen it. He made his feature directorial debut with Pirveli Korneti Streshniovi/First Lieutenant the same year. During this period, Chiaureli was working for Georgia film studio Goskinprom Gruzii (now Gruziafilm Studios) and most of his works promoted modern Soviet ideologies by satirically contrasting them with more traditional Georgian views. Though his initial works received favorable response, Chiaureli hit his stride after sound films became common, and in 1. Order of Lenin. In 1. The Last Masquerade and Arsena/Arson (1.
First Cornet Streshniov (Georgian:Pirveli korneti Streshniovi) is a 1928 Soviet adventure film directed by Mikheil Chiaureli and Efim Dzigan. Pirveli korneti Streshniovi (Gruzie) First Cornet Streshniov; Drama. Chiaureli made the first of his Stalin films, Velikoe Zarevo/They Wanted Peace (1. His next two, Klyatva/The Vow (1. Padenie Berlina/The Fall of Berlin (1. Stalin as almost godlike. Chiaureli continued making movies about his hero until 1. Between 1. 95. 0 and 1. Moscow's VGIK. Following Stalin's death, Chiaureli 's output became increasingly sparse and toward the end of his career, he turned to making short films. His daughter, Sofiko Chiaureli, is a popular stage and film actress.
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