Rockin. 62. 6. com Welcome to Rockin. This web site is dedicated to bringing you Rockin Rockabilly music from past to the present! Thank you for tuning in and don't forget to Turn it UP!! Hey you! What are you lookin' at? Click on the Nervous Records Logo or the shopping cart icon on the web player above and buy it now , .. It Helps The Artist!!!! Jimmy And The Mustangs New CD Is out click below and get yours.!!! Ainsworth, age 90 of Malvern, died Friday, September 25, 2015 in the Baptist Health Medical Center in Malvern. She was born Pansy Juanita Oden in Hammon, Oklahoma on August 12, 1925 to the late Ollie. REMEMBER TO always refresh/reload our pages (by hitting F- 5 on your keyboard) so you see the latest information and website updates. Rockabiilly: Taken From: http: //en. Rockabilly. Rockabilly is one of the earliest styles of rock and roll music, dating to the early 1. United States, especially the South. As a genre it blends the sound of American folk and Western musical styles, such as country and bluegrass, with that of rhythm and blues, leading to what is considered . Other important influences on rockabilly include western swing and boogie woogie. Defining features of the rockabilly sound included strong rhythms, vocal twangs and common use of the tape echo,but the progressive addition of different instruments and vocal harmonies led to its . An interest in the genre endures even in the 2. Rockabilly has left a legacy, spawning a variety of sub- styles and influencing other genres such as punk rock. There was a close relationship between blues and country music from the very earliest country recordings in the 1. The first nationwide country hit was . Bob Wills and his Texas Playboys were the leading proponents of Western Swing, which combined country singing and steel guitar with big band jazz influences and horn sections; Wills's music found massive popularity. Recordings of Wills's from the mid 1. Why, man, that's the same kind of music we've been playin' since 1. But it's just basic rhythm and has gone by a lot of different names in my time. It's the same, whether you just follow a drum beat like in Africa or surround it with a lot of instruments. The rhythm's what's important. They played real loud for that time, too .. I mean it just wasn't us up there pickin' and singing. There was something going on all the time. The Memphis blues musician Junior Parkerand his electric blues band, Little Junior's Blue Flames, featuring Pat Hare on the guitar, were a major influence on the rockabilly style, particularly with their songs . This page provides general information onassessing a collection of records and determining whether you have a real goldmine or just the same old records everyone else has. The Pathfinder4 of July 25 says, “The past 12 months have been one of the most remarkable periods on the Weather Bureau’s books. These books show that in one part of the country or another, weather men have recorded the. Knock Knock (Pica-Pau Ataca Novamente em portugu. The first reception of EME echo in 1944. The first EME history was written in 1944 when first EME echoes were received on 564 MHz by German W. Bill Monroe is known as the Father of Bluegrass, a specific style of country music. Many of his songs were in blues form, while others took the form of folk ballads, parlor songs, or waltzes. Bluegrass was a staple of country music in the early 1. Rockabiilly:Taken From: http:// Rockabilly is one of the earliest styles of rock and roll music, dating to the early 1950s in the United States, especially the South. As a genre it blends the. If you’re handing out a plaque Or a special little statue I’ll go home and pack And I’ll soon be looking at you! Just two years before a very young Hope arrived at Ellis Island, in 1908, dressed in two sets of clothes to. The Honky Tonk sound, which . Some of the better known musicians who recorded and performed these songs are: the Delmore Brothers, the Maddox Brothers and Rose, Merle Travis, Hank Williams, Hank Snow, and Tennessee Ernie Ford. Curtis Gordon's 1. One source mentions both local disc jockey Dewey Phillips and Sam Phillips as being influential. Scotty Moore remembers that, . As long as you could play, say, the top eight or ten songs from country, pop, R& B. They didn't care what instruments you had, as long as people could dance. But of more historical significance were the unknown artists who came to perform at the Jamboree. They include: Elvis Presley, Johnny and Dorsey Burnette, Eddie Bond, Charlie Feathers, Jim Cannon, Reggie Young, Barbara Pittman,the Lazenby Twins, Bud Deckleman, Harmonica Frank Floyd, Marcus Van Story, Lloyd Arnold, and more. The shows were sometimes broadcast on KWEM Radio Station in West Memphis, Arkansas by Joe Manuel, who fronted the Jamboree and was a KWEM personality. Guys were bringing in new . Soon these new sounds began to make their way out onto the stage of the Jamboree where they found a very receptive audience. Younger musicians around Memphis, were beginning to play a mix of musical styles. Paul Burlison, for one, was playing in nondescript hillbilly bands in the very early 1. One of these early groups secured a fifteen- minute show on radio station KWEM in West Memphis, Arkansas. The time slot was adjacent to Howlin' Wolf's and the music quickly became a curious blend of blues, country and what would become known as rockabilly music. In 1. 95. 1 and 1. Burnettes (Johnny and Dorsey) and Burlison played around Memphis and established a reputation for wild music. According to Burlison, . Unfortunately for the Burnettes and Burlison, they did not record the song until 1. Many consider this 1. Paul Burlison. Elvis Presley's first recording, a blues song titled . In this recording Presley married . Record Producer Sam Phillips was told by country deejays that Presley's . Similarly, R& B deejays categorized it as a (white) country song. When the song was finally played by one rogue deejay, Dewey Phillips, Presley's recording created so much excitement it was described as having waged war on segregated radio stations. Presley's unique musical style rocketed him into the spotlight, and drew masses of followers: . Whether you like it or not, there will always be an Elvis Presley. The historical significance of these first Presley recordings and their impact on future musical artists is well exemplified by the actions of legendary musical artist Bob Dylan, who is said to have gone to Sun Records and kissed the . Further stated by Dylan: . He also ran a service allowing anyone to come in off the street and for $3. One young man who came to record himself as a surprise for his mother, he claimed, was Elvis Presley. According to Phillips, . He was born and raised in poverty. He was around people that had very little in the way of worldly goods. During a break on July 5, 1. Elvis . Scotty and Bill began playing along. Excited, Phillips told them to . Presley's Sun recordings feature his vocals and rhythm guitar, Bill Black's percussive slapped bass, and Scotty Moore on an amplified guitar. Slap bass had been a staple of both Western Swing and Hillbilly Boogie since the 1. Commenting on his own guitar playing, Scotty Moore said, . Put it in my data bank. An' when I played that's just what come out. Then Bill Black picked up his bass and began acting the fool too, and I started playing with them. Sam had the door to the control room open, and stuck his head out and said, 'What are you doing?' We said, 'We don't know'. He said, 'Well, back up. Try to find a place to start, and do it again'. So we kinda talked it over and figured out a little bit what we were doin'. We ran it again, and of course Sam is listenin'. It was basically a rhythm record. It wasn't any great thing. It wasn't Sam tellin' him what to do. Elvis was joking around, just doing what come naturally, what he felt. Not because Elvis had expressed something new, but he expressed something they had all been trying to express. And many echo the sentiment that it was a sound like no other they had heard: . The time just stood still. It knocked my socks off. Nobody was sure what to call Presley's music, so Elvis was described as . Rockabilly recorded by artists prior to Presley can be described as being in the long- standing country style of Rockabilly. Presley's recordings are described by some as quintessential rockabilly for their true union of country and R& B, which can be described as the true realization of the Rockabilly genre. In addition to the fusion of distinct genres, Presley's recordings contain some traditional as well as new traits: . By end of 1. 95. 4 Elvis asked D. J. Fontana, who was the underutilized drummer for the Louisiana Hayride, . In the 1. 95. 5 sessions shortly after Presley's move from Sun Records to RCA, Presley was backed by a band that included Moore, Black, Fontana, lap steel guitarist Jimmy Day, and pianist Floyd Cramer. In 1. 95. 6 Elvis acquired vocal backup via the Jordanaires. In 1. 95. 1 a western swing bandleader named Bill Haley recorded a version of . It is considered one of the earliest recognized rockabilly recordings. Haley and his band mates crafted a rockabilly sound during this period as the Saddlemen. It was followed by versions of . On April 1. 2, 1. Haley with his band (now known as Bill Haley and His Comets) recorded . When first released in May 1. Billboard Hot 1. 00 chart for 1. The recording was, until the late 1. Guinness World Records as having the highest sales claim for a pop vinyl recording, with an . Rock 'n' roll, an expansive term coined a couple years earlier by DJ Alan Freed, had now been to the pop mountaintop, a position it would never quite relinquish. Maine native, and Connecticut resident Bill Flagg began using the term rockabilly for his combination of rock 'n' roll and hillbilly music as early as 1. Although Martin performed mostly country songs for the show, she also did songs by Rhythm and blues singers Ruth Brown and La. Vern Baker, as well as a few Dinah Washington songs. They didn't hardly allow electric instruments, and I was doing some songs by black artists—stuff like Ruth Brown's . Cash hoped to record gospel music, but Phillips immediately nixed that idea. Cash did not return until 1. In October 1. 95. Carl Perkins and . Phillips recorded Perkins's original song Movie Magg, which was released early March 1. Phillips's Flip label, which was all country. Presley's second and third records were not as successful as the first. The fourth release in May 1. Baby, Let's Play House peaked at #5 on the national Billboard Country Chart. The Sun label correctly lists . In 1. 95. 1 Eddy Arnold recorded a song titled I Want to Play House with You by Cy Coben that sounds nothing like the Arthur Gunter song recorded by Elvis. This song and another Cash original, Cry! In August Sun released Elvis's versions of . Sun released two more Perkins songs in October: . Scotty Moore commented on the different roles of Elvis and Perkins, . Elvis was more like an Adonis. But as a rockabilly, Carl was the king of that. Other rockabilly tunes released this month included See You Later Alligator by Roy Hall and Whole Lotta Shakin' Goin' On by the Commodores (no relation to the '7. Motown group). Perkins's .
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